The Fi Hall of Fame: A Brief History of Film Music - Film Independent (2023)

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Regardless of its importance to the storytelling process, film music is too often an afterthought. There are a variety of theories that composers have as to why, and they’re mostly related to a lack of education. So I’ve decided to take an active stance in educating filmmakers about the role of music in film and the process of how a film score comes into being.

My hope is that by the end of this piece you’ll be more familiar with: A) the history of film music in general, and B) the key composers who have contributed to the development of film music as an art. So—where did this all start?

THE SILENT ERA (1890s-1929)

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During the silent era, films music is provided by each individual theater, either by phonograph or as performed live by flesh-and-blood musicians. In the later case, either a pianist improvises to the film or a small ensemble of musicians performs a classical piece, in the background, as the film plays. But! Once the ability to synchronize music and sound to celluloid becomes possible in 1929, music quickly becomes an integral aspect of the storytelling process. Suddenly, composers are commissioned by Hollywood to write new material especially for the movies. A new profession is born.

THE GOLDEN AGE (1930-1950s)

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This is a unique period in the history of film scoring. Exploding with creativity, music written for the movies consistently matches the artistry of the films themselves. Composers during this period primarily come from backgrounds in concert music, and almost exclusively write orchestral pieces. Here are a few highly influential composers from the time:

Max Steiner. Regarded as “The Father of Film Music” Steiner makes extensive use of leitmotif in his 1933 score for King Kong. Created by German operatic composer Richard Wagner, leitmotif is a technique wherein specific instruments or musical themes are assigned to individual characters or events. In subsequent decades, the use of the leitmotif has become ubiquitous in film music.

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Enrich Korngold. An Austrian-born composer, Korngold’s many credits include The Adventures of Robin Hood (1938) and The Sea Hawk (1940)—which will greatly influence John Williams’ work on Star Wars in 1977.

Alfred Newman. Newman composes over 250 films, including Mask of Zorro (1940), and serves as the director of music at RKO studios. He’s the father of composers Thomas Newman (American Beauty), David Newman (Ice Age) and the uncle of singer-songwriter Randy Newman (Toy Story).

Bernard Hermann. Hermann is best known for his longtime collaboration with Alfred Hitchcock, especially his iconic work on Psycho (1960). In later years, Hermann will work with New Hollywood directors such as Martin Scorsese (Taxi Driver) and Brian De Palma (Sisters).

FILM MUSIC BRANCHES OUT (1950s)

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1951.A Streetcar Named Desire features a hybrid symphonic-jazz score by composer Alex North. This is a major step forward for film music, moving Hollywood film scoring away from its prior, exclusively European sound.

1952.High Noon features the song “Oh My Darling,” which proves instrumental in the commercial promotion of the film. Following the success of “Oh My Darling” studios begin asking composers to write original songs for their films, both for promotional purposes via radio play and—later on—for ancillary revenue in the form of soundtrack albums.

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1954.The studio system begins to dissolve. Composers transition from being employed by the studio to being freelance creatives. But unlike other conductors and instrumentalists, film composers do not belong to the American Federation of Musicians—a fact that will have long-term consequences.

1958.Miles Davis’ contribution to the French noir film Elevator to the Gallows is notable for a few reasons. “Gallows” is a jazz score in its purest form, having been scored with a trio of musicians improvising to the screen. Whether or not you’ve seen the film you very likely associate jazz or the trumpet with film noir, and this film is a big reason why. Lastly, Miles Davis’s work on Gallows makes him one of the earliest African-American film composers, paving the way for later artists like Quincy Jones, Herbie Hancock and Terence Blanchard to follow in his footsteps.

POP, JAZZ AND WESTERNS (1960s)

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Elmer Bernstein’s score for The Magnificent Seven (1960) and Ennio Morricone’s work on Sergio Leone’s Dollars Trilogy (1964-966) are among several new, now-classic Western scores.

Jazz composers Henry Mancini and Lalo Schifrin—best known, respectively, for The Pink Panther film series (1963 onward) and CBS’s Mission Impossible (1966-1973)—do their part to keep jazz relevant in film and TV. British composer John Barry almost single-handedly defines the sound of spy films with his symphonic-jazz hybrid scoring of the popular James Bond film franchise. Elsewhere:

1962.Maurice Jarre’s lush score for Lawrence of Arabia creates the template for all future desert soundtracks, fusing of exotic Middle Eastern scales with sweeping string melodies. While there are many examples of Jarre’s influence on later films, one of the best examples is Jerry Goldsmith’s score for 1999’s The Mummy.

1967.The soundtrack to Mike Nichols’ The Graduate is created almost entirely by licensing songs that had nothing to do with the film itself. The film’s only original song—Simon & Garfunkel’s “Mrs. Robinson”—is a number one hit. This practice continues to influence Hollywood’s approach to film music for decades. The ancillary income opportunity of soundtrack sales in combination with the fact that it’s cheaper (at the time) to score a film with songs (which by 2017 will no longer be the case) makes this method a highly attractive strategy for studios.

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1968.Alex North’s score for Stanley Kubrick’s 2001: A Space Odyssey is replaced by the director’s temp track, comprised of classical pieces like Strauss’s “Also Sprach Zarathustra.” The soundtrack album is a huge commercial success and is also one of the earliest examples of what composers will refer to as “Temp Love”—the phenomena of a director falling in love with the temporary soundtrack to which their film is edited, thereby making anything the composer might write unpalatable, regardless of how well it may serve the film.

SYNTHS AND JOHN WILLIAMS (1970s)

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In the 1970s New Hollywood era, film music heads in two concurrent, divergent directions with the incorporation of synthesizers and a return to classic scoring.

1973.Director/composer John Carpenter’s synthesizer score for Dark Star expands the soundtrack world beyond symphonic, jazz and pop music, introducing a brand new vocabulary of computerized arpeggios and other technology. This is a major paradigm shift in how scores are made, with long-term industry consequences. Up to this point, soundtracks required an ensemble of instrumentalists to perform the music. And whereas orchestras often consist of dozens of musicians, a single individual can program and entire synth score.

1977.John Williams single-handedly revives the sound of golden age Hollywood with his score for Star Wars. The film’s soundtrack becomes one of the highest-selling non-pop records of all time.

MORE SYNTHS, MORE FUN (1980s)

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The 1980s are full of song-laden soundtracks, like the ones for Flashdance (1983) and Footloose (1984). Elsewhere, orchestral scores play second fiddle, so to speak, to the original songs featured like Ghostbusters (Ray Parker Jr.) and Back to the Future (Huey Lewis).

John Williams continues the Golden Age tradition with the iconic scores for E.T. (1982), Superman (1978) and the Indiana Jones series (1981-1989).

Due to quantum leaps forward in digital technology—especially sampling and computer-based sequencing—the 1980s also sees the proliferation of synthesizer-heavy scores. Notably: Escape from New York (John Carpenter, 1981), The Terminator (Brad Fiedel, 1984), Blade Runner (Vangelis, 1982) and Tron (1982, Wendy Carlos.)

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Jerry Goldsmith’s work on he Star Trek film series (1979 onward) explores the possibilities of fusing orchestral sounds with electronic elements. Meanwhile:

1985.Former Oingo Boingo frontman Danny Elfman begins his decades-long collaboration with director Tim Burton on Pee Wee’s Big Adventure and, later, Batman (1989).

1989.Hans Zimmer makes his mark on the sound of Hollywood films with his score for Ridley Scott’s Black Rain, which soon becomes a popular temp track for action cinema. Zimmer continues to be influential, thanks to his extensive and innovative use of technology and hyper-collaborative approach to music production.

THE KITCHEN SINK (1990s-NOW)

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As film scoring has grown into its own distinct art form, movies have continued to incorporate almost every genre of music imaginable. While symphonic scores remain popular, there are plenty of projects that eschew orchestral music altogether. The proliferation of synthesizers in the 1980s, and later digital audio workstations and virtual instruments in the 1990s and 2000s, has lowered the barrier to entry for aspiring film composers.

Musicians from non-symphonic backgrounds continue to successfully make their mark in the film industry—including rock stars (or former rock stars) like Nine Inch Nails’ Trent Reznor, Cliff Martinez (onetime drummer for the Red Hot Chili Peppers) and Radiohead’s Jonny Greenwood. Plus, there are more active female composers working in the industry than ever, including Wendy Melvoin and Lisa Coleman, Mica Levy, Miriam Cutler and Rachel Portman, among others.

But as diverse as scoring is today; it’s ultimately up to the director to decide how music should best serve the film. But the ability to make informed decisions about music should come from strong points of reference and study.

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(Header: John Williams scoringThe Raiders of the Lost Ark)

FAQs

What is the first film score? ›

Camille Saint-Saëns' 1908 score for “L'assassinat du Duc de Guise” was the first original film score composed. “Talkies” soon appeared, and music formed an integral part of the sound track along with dialogue and sound effects.

How Audio scoring can effect how the audience feels while watching a film? ›

A film score can also help convey emotion, such as sadness or happiness, without the need for words from the characters. In movies without a lot of dialogue, a well-written score can help set the tone and let people know what kind of scene they're watching.

How much does it cost to license a song for a movie? ›

For festival rights, most songs can be cleared at around $500 per side. Meaning $500 for the publishers, $500 for the master. If you don't have enough money in your budget to pay for all the rights up front, you can clear only the film festival rights and add an option to get all media rights up to two years later.

How much does a film composer get paid? ›

Package Deals

For a studio feature, composers may be paid $60,000 to $250,000 for a low budget film, $250,000 to $350,000 for a medium budget film and $400,000 to $2 million for a high budget film. Ultimately, it depends what has been budgeted for the music and composition aspects of the film.

Why is it called a score? ›

The root is a Norse word “skor” meaning “incision”, referring to cuts made on a stick so that a tally can be kept. Twenty cuts fills the stick, so the older English term “score” meaning “twenty” comes directly from this. “Four score and seven years ago” is 87 years ago.

Which movie has the best score? ›

1. Star Wars (1977)

How music can change the emotion in a film? ›

Film music can provide certain descriptive cues that improve our understanding of the narrative within the film. We can rely on these cues to boost our emotional response to the visuals on screen and therefore interpret the specific emotions that are being inferred.

What is the purpose of music in film? ›

Music in film serves several functions. Among them, it helps shape emotional responses, creates a rhythm to scenes and segments, and comments on the action. Music is often crucial to the experience of a scene and, in some cases, becomes as iconic as the movies themselves.

What role does music play in suspense? ›

The music builds tension and holds the audience's attention. For example, the music in thrills, action films and horror films is composed with suspenseful music. Tension building is created by the use of instruments that are played loudly or quietly at specific times.

Who gets paid when a song is played in a movie? ›

When a song is used in a movie and the movie is played in theaters in the US, songwriters and publishers don't get any performance royalties. BUT…. if that same movie is played in theaters outside the US or on TV, then the songwriter and publisher receive performance royalties.

What is the most expensive copyright? ›

It's actually THE most expensive song to license. So what is it? It's AC/DC's “Thunderstruck”. The producers of “Varsity Blues” paid $500,000 to use it, and that was all the way back in 1999.

What song is most used in movies? ›

8 Most Commonly Used Songs in Movies
  • 8/8 “Under Pressure” — Queen and David Bowie.
  • 7/8 “U Can't Touch This” — MC Hammer.
  • 6/8 “Sweet Home Alabama” — Lynyrd Skynyrd.
  • 5/8 “What A Wonderful World” — Louis Armstrong.
  • 4/8 “Somewhere Over the Rainbow” — Israel Kamakawiwo'ole.
  • 3/8 “London Calling” — The Clash.
7 Aug 2022

Do I need a degree to be a film composer? ›

Do you NEED a degree to be a film composer? No, absolutely not - and honestly, nobody in the business wants to see your degree.

Do film score composers get royalties? ›

A: The standard composer deal is that you agree to sell the copyright to your music to the studio or production company in exchange for the ability to collect 100% of the writer's share of performance royalties (backend royalties), which you can collect through ASCAP, BMI, SESAC or GMR.

Do film composers get royalties? ›

Keep a record of who owns what and how you can use it. Void of any agreements or contracts, composers generally keep the rights to their creations. Even with buyouts or work-for-hire, composers are often still entitled to the writer's share of performance royalties, unless their contracts specify otherwise.

How much is 1 score in the Bible? ›

Threescore used to be used for sixty, in the way that we still use a dozen for twelve, and (occasionally) score for twenty. The use of threescore as a name for sixty has long since died out but is still remembered in this phrase.

How many years is a score? ›

Lincoln's address starts with “Four score and seven years ago.” A score is equal to 20 years, so he was referencing 87 years ago — 1776, when the Declaration of Independence was signed.

How many numbers are in a score? ›

A 'score' is a group of 20 (often used in combination with a cardinal number, i.e. fourscore to mean 80), but also often used as an indefinite number (e.g. the newspaper headline "Scores of Typhoon Survivors Flown to Manila").

What degree do I need to score movies? ›

Almost all programs for film scoring in the US and abroad are at the Master's degree level only. Two exceptions do exist though, the Berklee College of Music in Boston as well as the Musician's Institute in Los Angeles, which offer undergraduate degrees.

How do you write a film score? ›

5 Tips for Writing a Film Score
  1. Begin with a simple melody. As a composer, your job is to create an original yet familiar theme that pushes the story forward. ...
  2. Compose narratively. Stick to the story and never abandon it. ...
  3. Think in terms of sound palettes. ...
  4. Know your role in the process. ...
  5. Stay on budget.
7 Jun 2021

What does scoring a movie mean? ›

What Is a Film Score? A film score refers to the original music that accompanies a film. In most cases, movie music is written by a film composer hired for the production. The movie score heightens the film's emotion, creating an aural mood for each scene, along with sound effects and dialogue.

What is the tone of the film? ›

The tone of the film is essentially the way it feels. It's the vibe, the personality of the piece as a whole or of a particular scene. It's usually a good idea to create a consistent tone throughout a piece, or at the very least be aware of it, so you can regulate the tone as needed.

What is the mood of a story examples? ›

Mood is how the author wants the reader to feel, as a result of reading (or watching) their work. The mood of a piece might be funny, sad, creepy, cheerful, nostalgic, curious, and so on. Tone is how the author — or, in fiction, the narrator — feels about their subject matter.

How does the music for film contribute to the drama of the story? ›

Among the important characteristics of film music is providing a narrative of the scenes, communicating elements of the film setting and emphasizing the psychological states of the characters, as well as delivering a collective emotional tone or mood to the viewer.

What are the 3 most important elements in film music? ›

Sound Elements of a Film Soundtrack
  • Dialogue. The dialogue is the foremost of the three “ingredients” of a soundtrack. ...
  • Foley. These are sound effects that are designed to be synchronous with the actions of a character on-screen. ...
  • Sound Effects.
24 Jun 2016

What are the two main types of film music? ›

What are Diegetic and Non-Diegetic Music? Film music and movie soundtracks can be described as being either diegetic or non-diegetic—both derived from the literary term “diegesis.” Determining whether a piece of music is one or the other comes down to the context in which it is used.

How do you keep your audience in suspense in music? ›

To build suspense, you could also alternate between major and minor chords and clashing chords to confuse the audience. It's also a good idea to add delay or reverb to add mystery and create an atmosphere.

What makes sound scary? ›

Sound Effects

For example, distant creepy movements and eerie haunting winds that are played in the background are what build up the spooky atmosphere. Sound effects that mimic human fear, including pulsing heartbeats and slow and heavy breathing, also increases the level of scariness.

How would you describe suspense? ›

a state or condition of mental uncertainty or excitement, as in awaiting a decision or outcome, usually accompanied by a degree of apprehension or anxiety. a state of mental indecision.

What was the first film with music? ›

The first musical film, The Jazz Singer (1927), starring Al Jolson, introduced the sound era of motion pictures. It was followed by a series of musicals hastily made to capitalize on the novelty of sound.

What are three famous pieces of film music? ›

The 50 greatest film soundtracks
  • The Wizard of Oz. Composer: Herbert Stothart. ...
  • Psycho. Bernard Herrmann. ...
  • Star Wars. John Williams. ...
  • Pather Panchali. Ravi Shankar. ...
  • A Clockwork Orange. Wendy Carlos. ...
  • A Fistful Of Dollars. Ennio Morricone. ...
  • The Adventures of Robin Hood. Erich Wolfgang Korngold. ...
  • Alexander Nevsky. Sergei Prokofiev.
18 Mar 2007

What came first movie or soundtrack? ›

Starting with music can create an overall rhythm for a film that's understood well before the cameras start rolling. Additionally, editing scenes can be easier since there's no need to edit to a temporary track: the track used is the actual finished music.

What came first music or movies? ›

Before the history of music, came the history of cinema. The evolution of cinema began in 1888, with the French inventor Louis Le Prince, who made a short film – Roundhay Garden Scene, which was just about 2.11 seconds long, yet technically a movie.

What is a film musical called? ›

Musical film is a film genre in which songs by the characters are interwoven into the narrative, sometimes accompanied by dancing. The songs usually advance the plot or develop the film's characters, but in some cases, they serve merely as breaks in the storyline, often as elaborate "production numbers".

What are the two types of music in film? ›

Film music and movie soundtracks can be described as being either diegetic or non-diegetic—both derived from the literary term “diegesis.” Determining whether a piece of music is one or the other comes down to the context in which it is used.

Why is film music so important? ›

As music can tell the story and explain the plot, filmmakers use it very carefully to build the tone and mood of a film. Also, music is used to expose feelings of characters, actions, tensions, and even horror. Music can create a convincing atmosphere for the situation and can turn a good film into a great one.

How do you write a film score? ›

5 Tips for Writing a Film Score
  1. Begin with a simple melody. As a composer, your job is to create an original yet familiar theme that pushes the story forward. ...
  2. Compose narratively. Stick to the story and never abandon it. ...
  3. Think in terms of sound palettes. ...
  4. Know your role in the process. ...
  5. Stay on budget.
7 Jun 2021

Do you think instrumental music is still important today why do you say so? ›

Instrumental music is an integral part of human life in many different ways. It is used at a number of important events in people's lives including weddings, graduations, and funerals to name a few. Whether it be because of tradition or the comfort it gives to us, music is present.

How is music used in films? ›

Music in film serves several functions. Among them, it helps shape emotional responses, creates a rhythm to scenes and segments, and comments on the action. Music is often crucial to the experience of a scene and, in some cases, becomes as iconic as the movies themselves.

How do you describe film music? ›

Pacing and timbre

The timbre of a piece of music is basically the tonal colour, or quality of that music. You can think of it in terms of how certain instruments inherently sound. For example, you may wish to describe sounds as brassy, bright, dark, scratchy, harsh, warm, mellow, peppy, heavy, light etc.

What is the term for a music theme which represents a character or a place? ›

A leitmotif is a repeating melodic phrase in music that is used to represent a character, setting, emotion, or theme.

What does soundtrack of your life mean? ›

An assemblage of songs - a so-called "soundtrack to your life" - is like a roadmap looking backward on the major milestone that got you to where you are today. By looking backward, they can serve to help you see the path you are on going forward.

What is a musical concept? ›

Musical Concepts. Music is patterns of melody, rhythm, harmony, tempo/dynamics, and timbre combined to create repetition, variation and contrast. We use these patterns to create music and we respond emotionally and intellectually to our perceptions and interpretations of these patterns of music.

What is the purpose of attaching a recurring theme to a particular character or emotion? ›

What is the purpose of attaching a recurring theme to a particular character or emotion? By adding an aura of feeling around a player music can reveal the nature of that person. Adds character. What famous piece of classical music is used in the movie Platoon to express sadness and anguish?

How is film music made? ›

Scores are written by one or more composers under the guidance of or in collaboration with the film's director or producer and are then most often performed by an ensemble of musicians – usually including an orchestra (most likely a symphony orchestra) or band, instrumental soloists, and choir or vocalists – known as ...

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